Madaline says about her work: ‘Ebb and flow is central to the creation of my work. Concentrated areas of lines, tense and tedious, give way to restful voids. Working within the confines of my own rules, the drawings I create have static constants and fluid variables. As a resident of Brooklyn, New York, my time spent using public transportation is quickened by drawing. Drawing while traveling on the subway has enhanced the ripple effect present in my work. As the train sways

In assemblages and photo collages, New York-based New Zealand-born artist Jude Broughan draws on the languages of painting and printmaking alongside those of photography and collage to play with space and form, line and color. In ‘Snorkel’, her use of stitching divides our attention between the physicality of the art object and the patterning of its surface. Broughan is interested in the processes and associations of movement, travel, relocation, and the process of understand

Kayleigh says about her work: ‘I have taken inspiration from the way Qianqian Ye spoke of ‘moments that normally remain unspoken’—or in this case, of things that are often unseen. This work highlights the dialogue between line and surface and speaks of how drawing can visualise the often unseen through the traced mark..My current practice is concerned with the identity of line within drawing practices, and most recently with the relationship between line surface and process—

Qianqian says about her work: ‘This piece was inspired by the spiral and grid systems in Karen Snouffer 's drawing, vertical and horizontal, solitude and togetherness, alone and not alone.My work is a metaphor for ordinary human interaction. I paint the moments that normally remain unspoken: an internal monologue,an uncomfortable silence, a night of petting a cat. I usually have too much fun naming my paintings, like this one.’ Qianqian is based in San Francisco, CA. She r

Karen says about her work: ‘The spiral and grid symbols in Sandra Beccarelli's drawing inspired me to consider how flatness in line can become dimensional and how we may posit, is the grid a scaffold for the spiral or vice versa? How are they co-dependent, and at what point of mounting tension could it all deconstruct into collapse?’ Karen lives and works in Gambier, Ohio. www.karensnouffer.com ‘Spiral Meets Grid 2’ 7.5" x 7" Ink on paper